This text was written by Lital Dotan as a companion to an outdoor screening of films by Carolee Schneemann in July 2022, as part of Glasshouse’s programming under ‘The Captive Spectator: On the Otherhood in Motherhood’. Special thanks to the Carolee Schneemann Foundation and Rosekill Farm for supporting the project.
Read More‘Sites of Absence’ exhibition text by Lital Dotan September 2016
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